“People tend to notice a man with a wooden leg accompanied by a pygmy,” was just one of the many keen observations made by the iconic Sherlock Holmes this evening at Theatre Three.
In 1978 Paul Giovanni made his mark on Broadway with this show. A show he wrote, directed and designed led him to his first Tony Award nomination. A suspenseful, dark and at times even fun story opens in the far-off land of India during the years of English rule and occupation. Here we learn of cursed jewels and three men who enter into an ill-advised oath. An oath so dark and so secret that it contained no words – just the symbol of a crucifer to bind them to the memory.

Chuck Huber as Holmes
With the stage set, we find ourselves in the home of everyone’s favorite detective at 221-B Baker Street as he attempts to exorcise his demons by playing the violin. Failing miserably, he turns to his needle and cocaine. The role of Holmes is played admirably by Chuck Huber. He handles the eccentricities of being far above us in brilliance so well, I wonder if Chuck himself doesn’t often amaze his friends with his keen observations. As always we have Dr. Watson on hand to ground our genius detective and to provide a human element to the story. Austin Tindle plays the doctor convincingly. Refreshingly not as a bumbling fool as many choose, but as a competent man of character and integrity. Well done, Austin!
Irene St. Claire (Hilary Couch) had the challenge of playing the sole female part in the production. I didn’t feel as though she was owning her character for the majority of the show – but in the final scene, she demonstrated passion and truly came into her own as the show hit it’s climax.
Another memorable performance was provided by Gregory Lush playing the part of Major Alistair Ross. He had fun with his part, and we all loved the way he took over the stage whenever he was provided with the opportunity. Everyone playing opposite Gregory shone that much brighter when he shared the stage with him.
I must take a moment to point out what was to me the best part of the entire production. The set design by the director, Jeffrey Schmidt, was simply outstanding. Theatre in the round can often be a challenge, but Jeffrey won that battle. Using multiple tiers, moving set pieces controlled by hand cranked gears and grills through which smoke would come, Jeffrey created a wonderful world for his actors to explore. Brilliant. Accompanying this wonderful set design was perfect lighting designed by Amanda West and sound designed by Marco Salinas. The first comment I made to my friend who joined me for the show was how the mood was set the moment we walked into the theatre by the lighting. The trinity of light, sound and set design made this a memorable evening. Thank you!
When I arrived home this evening to write this review, I checked out the press packet and saw that this production was being re-imagined from the original by giving it a steampunk edge. In hindsight, I suppose I can see it – but as a fan of the steampunk genre, I didn’t get that impression during the show itself. One mystery that plagued me throughout the production concerned this strange red slash of color on the forehead of leading lady Irene St. Clair. At first, I thought it might have something to do with the crucifer of blood. But nothing was said. Then I concluded it must have been a last minute mistake backstage that couldn’t be corrected before she had to hit her mark. But then the mark stayed…scene, after scene. Then, mysteriously, and without any explanation or fanfare, the mark disappeared for the final scene of the show. I was baffled – and to be honest, a bit distracted by this red mark. Now that I see this tip of the hat to steampunk, I assume that was part of the feel. My suggestion? Hilary Couch is a lovely young woman. Don’t allow this visual mystery to distract from her performance.
What Sherlock Holmes story isn’t complete without plucky comic relief? Typically done by Watson, this time we had the perpetually in the dark Inspector Lestrade played by Jackie Cabe to thank for our laughs. His comic timing, fumbling investigative techniques and bouts of seasickness kept us all smiling when he hit the boards. A wonderful performance!
All in all, a fun show. Wonderful performances by the cast, a unique and enjoyable venue, and a light story that will not make you think to hard, but will keep you entertained! Be sure to support the arts and Theater Three by picking up your tickets for Sherlock Holmes in the Crucifer of Blood, running through September 5th.
Reviewed by ASSOCIATE THEATER CRITIC, Sten-Erik Armitage , THE COLUMN
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